Skip to content
Thursday, October 8, 2026
SilverZone US

Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one key story turn, but it leads to a comically executed rampage on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game is in British and Irish theaters from 17 November.

By

Brian Lopez

A tech journalist and digital strategist with over a decade of experience covering consumer electronics and online culture.

SilverZone US

Type to search articles.